Thirsty saplings struggling to survive, stunted growth of crops, abandoned fields, dried up ponds: in the desert these are telling signs of prolonged scarcity and a winter of misery that is in the offing Rahul Ghai Bikaner
Pather Panchali is like a poem. So, how was the black and white narrative when it first arrived in a cinema hall in Calcutta? Partha Mukherjee & Priyanka Mukherjee Hooghly (West Bengal)